A Year of Foreign Films Week 3 –In the Mood for Love

During an acceptance speech during last year’s Golden Globes, Korean filmmaker Bong Joon-Ho said through his translator, “Once you overcome the one-inch tall barriers of subtitles, you will be introduced to so many more amazing films." Movies can, of course, be a lot of things to different people. To some, they are entertainment, something to pass the time, or a medium to passively take in a story while scrolling through Twitter or Instagram. There are certainly times where I reach for these types of comfort movies, especially in the past year that was 2020. Movies can also be portals into worlds, experiences, lives, and historical moments much different from our own. They can challenge, provoke, question, and change us. In my own experience, these types of viewing experiences are often foreign-language films/international cinema. Some won’t want to touch this realm of the streaming world because they don’t want to read while they watch. That’s perfectly fine. For others, who want to turn their brain on, who desire to appreciate film as art, and who yearn for experiencing something unique and new to them, this list is dedicated. Each week of 2021, I will recommend a foreign film; some will be more difficult for the viewer than others and this is by no means a bad thing. Come with an open mind and a curious soul.

WEEK 3: IN THE MOOD FOR LOVE

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Year: 2000

Director: Wong Kar-wai

Country: Hong Kong

Stream: Criterion Channel; HBO Max; Kanopy

Background:

Few filmmakers make as colorful, delicious, and sumptuous portraits teeming with sizzling romance and longing like Wong Kar-wai. The Hong Kong filmmaker is one of the great turn-of-the-century international filmmakers whose influence and admiration extends to the likes of Quentin Tarantino and many others. Perhaps his magnum opus is 2000’s In the Mood for Love, which was voted as the second-best film of the 21st century by over 150 film critics and scholars in 2017. Love follows two neighbors in 1962 Hong Kong who discover their spouses are having an affair with one another. The two leads, Maggie Cheung and Tony Leung, brilliantly portray desperation for connection amidst melancholic loneliness all the way up until a breathtaking finale.

Mitch Wiley